some more shots, limited conventionals in the air and very limited hang space meant using the movers, not for moving effects or anything, but mostly just to eliminate  100 different focus points I needed.  Plus the different color temp helped with key lights at the end of songs.  Also, the strip lights at the school were useless, so i used there dimmers, and hung my own lights underneath them.  took some creative rigging.  ended up with about a total of 24 1K pars, 32 source fours, 3 source four jr’s, 6 studio spots, 4 color blazes, 19 color blasts, and about 75 feet of rope light.  145 lighting cues in all.  

i cleaned it up eventually.   by the first run… really.

getting set upppp

i carry a 24 multi pack with me at all times.  and I’m’ not even the SM.

Yeaaa I’ll work late. If you get me a milk shake.

LET GO.

there’s not enough “i’ll rotate your gobo” humor on the internet.  

build with color

getting set up for a corporate christmas party.